The Footage Shall Reveal...

Pattern Recognition - William Gibson

The generation born in the 1970s and '80s has benefited from a revolution in the way our world functions; a sea change of the magnitude of steam power, Ford's assembly line, or the refutation of the heliocentric universe. Never before has information spread at such velocity. Consider "dancing baby" and "all your base are belong to us," phenomena that circumnavigated the globe at the speed of thought. To our grandparents, fashion and commerce were local: the corner bakery, the town tailor and milliner, a grocer served by local farms and gardens. Today, however, children the world over identify the icons of our age regardless of their native alphabet; they recognize the swoosh and the golden arches and the red and white soda can at a distance of a thousand paces.

Neal Stephenson's "Reamde": The Fantasy Trilogy Grows Up

Reamde - Neal Stephenson

By now, I suppose you've figured out the format for The Great Fantasy (---)logy. It used to always be "Trilogy" in homage to LOTR, but I think some authors are now up to more than twenty volumes per "story." Anyway, the standard set of tropes is a battle between the forces of Good and the forces of Evil, some sort of "fellowship" that invariably splinters, an arduous journey (usually across mountains) and a talisman that must be rescued/destroyed/captured so that Evil can be held at bay – at least until the next series begins. Oh, and there's one more convention: medieval weaponry. It wouldn't do to have this particular saga's version of Frodo picked off by a sniper who's hiding behind a boulder high on the slopes of this particular saga's version of  the Mountains of Mordor. Yeah: that's fantasy.